Sunday 15 August 2021

Digging


(in homage to Seamus Heaney) 



How has it taken

Fifty four years 

To learn the difference 

Between a spade 

And a shovel?


Spades I’ve had many,

But the shovel is recent.

Inherited from my 

Father-in-law who

Knew his tools.


He owned two scythes,

The blades brought back

As hand luggage from 

Austria in the days 

When that was possible.


Despite owning a slasher,

He still cut grass

With the Scythe. 

Said the cows liked it better

Untainted by fumes.


Sweeping in great arcs

He showed me

How the blade was angled, 

Just so, to catch 

The grass along its edge:


“To Slice, not Chop.”

Precise words to 

Describe an action

Honed as keen

As the blade.


Pausing often

To run the whet stone 

Over the edge,

He told me the secret

To a good blade:


“Have just the right compromise 

Between Hardness and Flexibility.”

Too hard and the blade will snap;

Too soft and you won’t 

Get a fine cutting edge.


In Austria, he said,

A good scythe was 

A treasured thing.

Before it wore down

It was taken to the Blacksmith


Who would twang it with 

A finger, listening 

To the vibrations

And transfer the same note 

To a new blade: 


Just hard enough to cut well;

Not so hard as to be brittle.

Each new blade a song 

Going back generations -

Singing the instrument 


To its perfect shape.



In my garden 

The shovel is a revelation

The back-breaking 

Spade work transformed 

Into something elegant and precise;


A measured economy of 

Movement that has

A rhythm like poetry. 

The length 

Of the handle


Teaching me to bend

And use my legs, 

Hands positioned to

Make the most of 

The angle of the blade.


Bend, slice, lever

Lift, thrust, flick

And the motion

Repeats drawing me

Into a reverie 


And memories of 

My uncle in Shetland

Showing me the peat bog

Where he cut slabs 

Of peat for the winter.


The tools looking 

Like crazed creations

From a lunatic blacksmith

But having, in fact,

A form perfect for their function.


Nick, slice, lever, 

Lift, thrust and pile

The sods on the bank

Where they dry to provide heat 

Through the winter.


On the hill nearby 

Are the marks of peat lines

That contour down, 

Fading as the new 

Heather heals the scars.


Each line another chapter 

In the story of generations

That dig this hill,

Bottom to top in a 

Rhythm that marks millennia.



My driveway is quickly finished.

A couple of days enough 

For it to look like new

And for me to discover

This tool that teaches me


Who I am.





Sunday 27 June 2021

Playing With Fire

Words lick at the air 
Igniting a reaction - 
Fuel to heat, 
Comfort or pain, 
Tongues that dance 
Probing the ear, 
Fingers that itch 
To touch forbidden fruit. 

Risking the moment 
We steal from the gods 
This ember of meaning.
Breathe gently upon it 
And watch it glow.

Sunday 14 March 2021

Zen and the Art of Motorcycle Maintenance: An Inquiry into ValuesZen and the Art of Motorcycle Maintenance: An Inquiry into Values by Robert M. Pirsig
My rating: 5 of 5 stars

What made my reading of this book so interesting was that I was given my copy by my friend Pete who is an engineer. Every Friday night Pete and I ride our pushbikes 25 kms around the east side of Singapore, drink a beer or two and ride back again. We talk: Pete about engineering, me about teaching and the books I read. One Friday Pete passed me a copy of Zen and the Art of Motorcycle Maintenance and said he'd always wanted to read it; he'd bought two copies and we could read and chat about it each week. Thus began a remarkable bookclub.

What Pete loved and helped me to see better was the idea of an engineering problem as holistic. When things go wrong you can treat the symptom or you can think more holistically to understand the nature of the system. But, as Zen and the Art explains, the engineering systems we engage with also include the user as an integral element and so the problem is always more than just physics. The relationships between humans and the world we shape are reciprocal and complex and engineering is art as well as science.

That's the easy bit. Prisig then goes into an exploration of how the reification of the mechanical world seeps into the management of education and the human sciences. Somewhere around the last third of the book my understanding began to waver and Pete's company recalled him to the US. I'm not sure what we would or could have made of this last section. I'm not even sure whether Pirsig knows. At some point, it seems to me, all great writing reaches the limits of what can be said. Pirsig pushes those limits leaving me grateful for what I have understood, and a little in awe of what I have not.

I highly recommend the book, bike-riding book clubs, and clever people who see the world differently to you.

View all my reviews

Tuesday 5 January 2021

The company I keep

The company I keep 
Includes poets. 
Odd individuals 
Who see the world sideways, 
Lurking in conversations, 
Waiting for the weird words, 
The unusual observations,
And surreptitiously wrapping them 
In paper napkins 
To sneak them home. 

Best to keep your insights hidden 
Lest they pilfer those too 
And sell them to the world in a poem.



A friend has been writing a poem a day and publishing on Facebook. At dinner last night he was asked if he'd written the day's poem. "I'll do it later" he said, "hopefully someone will say something that will give me inspiration".